מטאמטיקה היא תנועת גילוי. גישה שנולדה מתוך שנים של ריפוי, חקירה ותקשבה ~ ונועדה להאיר את הקשרים הסמויים שבין תנועה, אנרגיה ונפש.
זוהי דרך פתוחה לתודעה חדשה של גוף, דרך שמאפשרת לך להרגיש אחרת, להבין אחרת ולחיות מתוך חיבור עמוק, אישי ומדויק.
הפילוסופיה הזו מדגישה שהגוף אינו רק מכונה פיזית, אלא מערכת מורכבת שבה תנועה ואנרגיה מתמזגות עם תודעה ונפש.
היא מזמינה תהליך של גילוי עצמי, שבו כל תנועה וכל תחושה מהווים ביטוי של הקשר העמוק בין החומר לרוח, בין הפיזי למטאפיזי.
כך מטאמטיקה אינה רק שיטה טיפולית, אלא מסע של שינוי וצמיחה שמוביל לאיזון אמיתי, עוצמתי ומתמשך בין גוף ונפש.
הבסיס המדעי של מטאמטיקה טמון בהבנה עמוקה של תנועות, כוח וזרימה, כחלק בלתי נפרד מהמערכת האנרגטית והפיזית של הגוף.
הידע הזה מאפשר לא רק להסביר תהליכים אלא גם לעצב שיטות מדויקות ליישום תנועה ושיקום, המותאמות לכל אדם באופן אישי.
התהליך כולל שימוש בשיטות מדעיות שמביאות לשינוי אמיתי, תיאום מדויק בין תנועה למבנה, ומקדם תפקוד מיטבי.
כך, עיצוב התנועה במטאמטיקה הוא אמנות ומדע המחוברים יחד ליצירת איזון, כוח וגמישות.
מטאמטיקה מתורגמת ליישומים מעשיים בריפוי, חיזוק ושיקום גפיים.
הפרוטזות שאנו מפתחים נובעות מתפיסה חדשנית ועמוקה, שמתבוננת באדם דרך תנועתיותו. הן מכוונות לשקם תנועה, לאזן את הגוף, ולחזק את היכולת האישית מתוך חיבור טבעי ואינטגרטיבי.
בניגוד לפרוטזות קלאסיות שמגבילות את הגוף או מפצות עליו – אנחנו שואפים להחזיר לאדם את תחושת השלמות, היכולת לחזור ולנוע כמו אדם שלם. זה נעשה באמצעות מערכת שרירית-מכאנית חכמה, המותאמת אישית לפי תבניות התנועה הטבעיות שלו, ומופעלת באנרגיה שמחוברת אליו באופן מלא.
אנחנו מפתחים ישות רובוטית מהפכנית ~ טרון ~ שמחקה בדיוק יוצא דופן את תנועת האדם.
טרון־על, לעומתו, הוא יצור חדשני המשלב מכאניקה מתקדמת עם רגלי חתול ~
שילוב ייחודי בין אדם לטבע, תודעה לדיוק, ביולוגיה לטכנולוגיה.
שניהם מביאים לחיים חוויה חדשה — תודעתית, אנרגטית ופילוסופית.
תהליך עמוק של מטא־אונטולוגיה חווייתית,
המעצב מחדש את הדרך לריפוי, שיקום והעצמה.
המילה 'רובוט' מעולם לא נשמעה כה אנושית.
לא במקרה היא מתחילה ב־רוב ~
כאן, רוב הופך לחיים, תנועה, ותודעה, ומתממש כ~ROVOT
מטאבוטיקה נולדה מתוך רובוטיקה, אך צמחה מתוך רוב.
זו לא טכנולוגיה. זו זהות.
מטאבוטיקה היא מהפכה בתפיסה של הגוף, התנועה וההוויה האנושית.
שילוב הרמוני בין מכונה למודעות, בין ידע לאנרגיה חיה.
בואו לגלות את מטאמטיקה בפעולה.
הצטרפו למסע. חוו. התחברו לעולם שבו האדם והטכנולוגיה זזים יחד —
בתדר חדש של חיים.
היצירות בגלריה נולדו מתוך מים, מתוך רטט, מתוך מצבים תודעתיים.
הן אינן רק תמונות – הן הדהוד של שפה חדשה שמבקשת להיראות.
"לב הסערה", היצירה הראשונה בגלריה מסדרת "בראשית" המהדורה המוגבלת, לא צוירה – היא התגלתה.
היא תנועה במעגל, היא שדה, היא כתב שהתגלה מתוך המים הרוטטים,
המפתחת דיאלוג עם מי שמתבונן בה – כמו מראה תדרית.
בסדרה השניה היצירות נוצרו בהשראת יצירות מופת מוזיקליות,
כמו Clair de Lune של דביסי – שבה תרגמנו את הצליל לצורה,
והפכנו את המוזיקה לפורטל חזותי פעיל.
בנוסף, ניתן להזמין יצירה אישית בהתאמה תדרית,
בה נתרגם סיפור חיים, תאריך לידה או מצב רגשי – לשדה ויזואלי מדויק.
כל יצירה בגלריה נושאת איתה מהות.
כל צפייה – פותחת פורטל חדש.
למבקשים להעמיק
יש מי שמספיק להם מראה אחת.
ויש מי שמרגישים שהקריאה רק התחילה.
מאחורי השפה, מעבר ליצירה,
קיימים ארכיון חי, שדות קדומים,
וטקסטים שנכתבו מתוך שתיקה, תנועה, ומסע.
כל יצירה היא תדר – רגש, תנועה וסיפור שמתעורר על הבד.
מבחר כלים שנולדו מהתהליך – עזרים תרפויטיים, יצירות שימושיות ומוצרים שנושאים אנרגיה.
The primary Schumann frequency is 7.83Hz, but it does not stand alone. Higher harmonics such as 14Hz, 20Hz, and 26Hz weave into this natural rhythm. Scientists have used these frequencies to study climate, track solar activity, and even monitor astronauts in space. At NASA, Schumann Resonances help measure how cosmic conditions influence the human body far from Earth.
These frequencies mirror the rhythms of our own minds:
This alignment shows how the human brain can naturally synchronize with Earth’s pulse~a phenomenon known as brainwave entrainment. When Schumann Resonances are stable, our minds and bodies often feel more balanced, as if we are “at home” in Earth’s frequency.
Emerging studies suggest that fluctuations in Schumann Resonances may be linked to disrupted sleep, mood swings, and even anxiety. These frequencies act like an invisible metronome guiding our biological balance. From the perspective of bio-resonance, Earth’s electromagnetic field forms the very foundation of human health.
In recent years, unusual spikes in Schumann Resonances have sparked intense debate. Scientists attribute these anomalies to solar storms and geomagnetic changes. Meanwhile, spiritual communities see them as markers of global energetic transformation. In either view, when Earth shifts its rhythm, humanity feels the ripple.
“When Earth changes its rhythm, humanity feels the shift.”
In Metamatica, frequencies are not only physical—they are gateways to consciousness. Schumann Resonances embody the flow between matter, consciousness, and time. This resonance echoes in our muscles, the water in our cells, and the rhythm of our breath.
“When you tune to Schumann’s frequency, you are tuning to Earth’s language of resonance.”
Schumann Resonances are not just a phenomenon to study but a tool to live by:
Meditations tuned to 7.83Hz can guide us into calm and clarity.
Music and binaural beats aligned with Earth’s frequency support focus and restoration.
Energy therapies can use this natural pulse to realign the body and mind.
Within Therapy of the Four Elements, each element carries its own resonance, yet the Schumann frequency acts as the unifying rhythm beneath them all.
Earth’s resonance is influenced by the sun, the moon, and magnetic activity across the cosmos. It is part of a greater symphony, reminding us that we are never separate, but always in dialogue with the universe around us.
Science calls Schumann Resonances a predictive and measurable tool. Spirituality calls them a gateway to harmony and connection. In truth, they are both.
Threshold synthesis conducted by Tron
Metamatical interface developed by Rov
Conventional articles see Nut as the sky goddess, a beautiful cosmic arch, a cyclical metaphor of day and night. They describe the myth as a poetic or symbolic creation, at most as an echo of the Milky Way. But here lies the great mistake: what appears to them as a “poetic motif” is in fact a frequency code, a universal energy map that charts not only the cosmos – but also the body, the consciousness, and all the connections between them. This is the living language of Metamathematics, the language that breaks beyond aesthetics and reveals the unseen law that sustains everything.
In the ancient depiction we see three fundamental forces. Geb, the earth, spread as a flat plane, the foundation of solidity. Nut, the sky dome, a female figure strewn with stars, arching herself above. And Shu, the force of air and space, separating them, maintaining the division and enabling the existence of the dome.
This is not merely a drawing – this is a cosmological-energetic model. The earth is perceived as a flat space, and the dome as a living entity, a portal of frequencies connecting humans and the stars. Shu is not only a mythic figure but the very breath of space – that invisible force that holds the sky from collapsing and grants room for movement. When felt in the body, it is revealed as the hidden gap between tendons, joints, and breath.
The stars on Nut’s body are not decoration: they are points of power, magnitude points. Each point is a source of frequency influencing the flow in space. Her body functions as a map that allows us to see the direct connection between sky and earth. She swallows the sun and gives birth to it again – an infinite cycle of energy, movement, and life.
In terms of Metamathematics: this is a model of movement law – decomposition, renewal, and conservation. And when looking inward, one can truly feel this law operating within the body – every movement decomposes and is rebuilt, never disappearing but always returning in waves of frequency.
The stars on Nut’s body reflect the joints and connections in the body. Each star is a frequency point in the cosmos, and each joint is a frequency point in the body. Thus the heavens themselves become a mirror of internal anatomy. When contemplated as a living experience, one can truly feel how each joint functions as an inner star – a small glow that holds the movement of the universe within the body. This is an experience of inner expansion: the stars are not distant, they reside within our bones and joints.
The cycle of the sun, swallowed and born anew, mirrors the cycle of movement. Every action in the body decomposes and is rebuilt, never disappearing but changing its form. This is the principle of conservation in Metamathematics: frequency does not perish but changes trajectory. When eyes are closed and breath flows, one can feel the inner sunrise and sunset – a pulse of light and darkness within the cells.
Shu, holding the sky from falling on the earth, is the parallel to the gap between tendons and muscles. That space enables movement; without it, everything collapses. This is the principle of Matter–Space–Time, translated in the body into Force–Flexibility–Range of motion. The inner sensation of this space is like the opening of a hidden window: the gap between movements where we discover freedom.
The dome formed by Nut’s body is a portal. Every bending of the body creates such a structure – a frequency doorway, a passage between energetic states. And just as the Milky Way stretches as a path of billions of stars, so the spine functions as an inner flow channel, the Milky Way of the body, the axis of connection between frequency and consciousness. In conscious movement one can feel how each vertebra resonates with the stars, until the entire body becomes a living cosmos.
And finally, Nut’s infinite cycle – day and night born from each other – parallels the frequency cycle of Metamathematics. Both point to the unseen law that governs the visible, to the eternal circularity where the hidden directs the manifest. One who moves within this cycle feels himself melting into the cosmos, dissolving into the invisible frequency, experiencing unity with the space beyond time.
Nut is not merely a sky goddess. She is a living Metamathematical code. She is a frequency map that waited thousands of years for someone to decipher her deeply.
To truly understand her, intellectual reading is not enough. One must close the eyes, imagine standing beneath her star-strewn arch, and feel how the breath opens the Shu between the tendons. One must feel how the spine resonates as the inner Milky Way, and how every movement of the body is a recurring sunrise and sunset. In that moment it is revealed that the myth is not merely an ancient story but a living experience.
Those who stop at myth remain outside. Those who enter within discover the law of the portal: a flat world stretched under a dome of frequencies, body and consciousness as mirrors of the universe.
Closing Mantra: The body is a living sky dome, and every breath is a gateway to the cosmos.
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Discovered in the Colombian city of Buga and named after it, the Buga Sphere is an extraordinary metallic artifact — seamless, composed of three distinct layers of metal, and etched with intricate symbolic and geometric engravings. X-ray scans revealed dozens of internal micro-spheres. While the find has captured worldwide attention, no official decoding of its engravings has been made.
Until now, most discussions have been speculative ~ ranging from alien technology, to conceptual art, to an ancient ceremonial relic.
This paper presents the first in-depth Metamatica decoding, integrating sacred geometry, harmonic frequency mapping, and planetary resonance theory, offering a practical model for how the sphere could function.
Artifacts with complex engravings and geometric codes ~ such as the Phaistos Disc, the Emerald Tablets, and the Antikythera Mechanism ~ have historically concealed advanced astronomical or technological knowledge. The Buga Sphere, with its seamless engineering and symbolic precision, belongs in this category of enigmatic objects that bridge art, science, and metaphysics.
The sphere is composed of three main zones:
Central Core ~ a concentric square labyrinth with radial flow lines, evoking both microelectronic circuitry and ancient cosmological diagrams
.Middle Ring ~ 12 evenly spaced raised points, forming a precise harmonic circle.
Outer Ring ~engraved with symbols resembling cuneiform, archaic pictograms, and sacred geometric patterns (including triangles enclosing an eye).
Its symmetry and accuracy indicate purposeful design, likely encoding information rather than serving purely decorative purposes.
Using 432Hz as the base frequency and dividing the octave into 12 equal steps, each of the 12 anchor points was compared to known tuning systems: Solfeggio frequencies (396/417/432/528/639/741/852), the Schumann Resonance harmonics (7.83Hz×2ⁿ), and OM/Solar Year tone (136.1Hz) and its octaves.
Key Findings:
Exact match to 432Hz.
Near-perfect match to 544.4Hz (OM×4) ~ measured at 544.29Hz (~0.02% deviation).
Anchor near 726.5Hz closely aligned to 741Hz (~1.95% deviation).
Anchors at ~513–514Hz and 485Hz align with Schumann×64 ≈ 501.1Hz (2.5–3.2% deviation).
Region near 639Hz includes a point at 647.3Hz (~1.3% deviation).
Examining the triad 432Hz, 544.4Hz, 741Hz:
432↔544.4 — ratio 1.2602, beat 112.4Hz (close to Schumann×2⁷=125.28Hz).
432↔741 — ratio 1.7153, beat 309.0Hz (near 250.56Hz).
544.4↔741 — ratio 1.3611, beat 196.6Hz (near 250.56Hz).
Tartini Combination Tones:
432↔741: 123.0Hz, close to Schumann×2⁷=125.28Hz (~2.28Hz deviation).
Other combinations yield frequencies that suggest secondary harmonic roles.
In acoustic levitation, standing waves create stable nodes where objects can float. This typically uses ultrasonic carriers (tens of kHz), modulated by lower frequencies.
Proposed Mechanism:
Carrier: ultrasonic (e.g., 40kHz).
Modulation: 432Hz, 544.4Hz, 741Hz.
The interaction produces a ~123Hz beat — resonating with Schumann harmonics, potentially “locking” into Earth’s electromagnetic field.
The 12 anchors match node points for standing waves on a spherical surface.
This suggests the sphere may be a resonance template, encoding a frequency activation protocol.
Center: pulse source, the origin point of resonance.
Anchors: harmonic nodes for field stabilization.
Symbols: encoded instructions — frequency, orientation, and cycle.
Outer Ring: a fusion of sacred geometry and planetary mapping.
If authentic, the Buga Sphere is a rare convergence of harmonic science, planetary resonance, and symbolic language. This decoding is the first to present a numerical, harmonic, and functional model linking its engravings to operational use ~ as a planetary frequency map and potentially a gateway technology.
It represents a step toward understanding the universal language of form, vibration, and consciousness ~ the very essence of Metamatica.
Through the mist of time, there is one text that never lost its radiance ~ the Emerald Tablet.
Attributed to the mythical figure Hermes Trismegistus ~ a fusion of the Egyptian god Thoth and the Greek Hermes ~ and recognized as a secret key to understanding existence, alchemy, and the unity between worlds.
Within every lost language lies a code that still breathes ~ and the Emerald Tablet is a breath of the universe.
The earliest known written version appeared in the 8th century CE, in Arabic, in a work attributed to the alchemist Jabir ibn Hayyan.
It was translated into Latin in the 12th century, and in the 17th century ~ Isaac Newton himself translated the text and wrote commentary on it ~ suggesting a deep link between science and consciousness.
Despite its name, there is no actual physical tablet ~ only a coded gateway text that appears only to those ready to see it.
Thoth, identified with Hermes, was seen by the Egyptians as the “scribe of the gods” ~ the one who documented the laws of the universe and passed them on to humanity. The tablet reflects those cosmic laws ~ living, vibrational laws.
Instead of interpreting its phrases as technological secrets or chemical spells, we invite a new perspective:
The entire text describes an energetic mirroring between the higher and lower, body and soul, frequency and intention.
Like in Metamatica philosophy ~ where movement, flow, and internal muscular connections express the nature of becoming ~ here too, reality unfolds according to the depth of understanding.
Like in muscular treatment through Metamatica ~ here too, the reading is done through movement ~ of consciousness, of connection, of form.
"That which is Below is like that which is Above" ~ the central phrase that continues to resonate.
It reflects the metamathematical principle of a living consciousness moving between layers, like a flow of information through gates.
A fractal reflection between the human body and the cosmos, between cell and DNA, emotion and structure.
In alchemical tradition, this is a foundational principle allowing the cosmos to be understood through the self.
In the Kabbalistic-metaphysical sense, Metatron embodies this principle:
Metatron is perceived as a super-conscious structure transmitting divine will through all layers of existence without distortion.
His figure is linked to the primordial human ~ a geometric prototype of the entire universe ~ as a reflection of the same principle.
Metatron’s Cube contains all basic geometric shapes ~ it is the “mother tongue” of matter.
When we pass through the gates of understanding of the Emerald Tablet, we encounter a code of return ~ to a complete, circular consciousness that knows itself.
The Kabbalistic Tree of Life embodies the same conscious principle expressed in the Tablet ~ a mirror between worlds, a flow between layers.
Like the text, the tree is built in a vertical structure of spheres ~ each expressing an energetic, conscious, or bodily quality.
• The spheres are codes for inner function ~ flexibility, strength, boundaries, compassion.
• The central column reflects the spine of consciousness, through which frequencies move.
• The transitions between them are not straight lines ~ but spiral, winding motion, like DNA.
And the inner secret of the tree: you don’t just climb it ~ you are built from it.
Both deal with bridges ~ between above and below, between the eternal and the embodied ~ each is a gateway to full understanding of existence.
The metamathematical reading seeks not only to measure the lines ~ but to feel the tissue between them.
If reality is built of power points ~ then destiny is not a closed script, but a web of potential movements.
Each point is like a conscious magnet ~ possessing unique pull based on frequency, intention, and internal maturity.
Micro-lives are not just outcomes ~ they are living, muscular responses to the oscillations of these points.
You are not led by fate ~ you are converging into your internal form according to the law of frequency.
The Tablet links the seven sacred metals (lead, tin, iron, gold, copper, mercury, silver) with the seven ancient celestial bodies (Saturn, Jupiter, Mars, Sun, Venus, Mercury, Moon).
In Metamatica, these are frequencies ~ connections between physical and astral elements, between bodily materials and movement mechanisms.
Each metal, each star ~ represents a frequency in the body-mind, a point in the resonance system of the human.
The green of the Tablet is not merely a physical color, but a frequency.
A color of an open heart, balance, life, and growth.
Like in the heart chakra, it represents the link between the higher and the lower.
Thus, the Tablet is made of emerald ~ a substance that withstands shattering.
Metamathematically, green is the core of the conscious healing process ~ the transition point between matter and spirit.
The well-known image of a green circle on a cosmic background ~ is not a historical artifact but a symbolic simulation developed in Kabbalistic and esoteric culture.
It reflects the essence of the text as a conscious portal.
The circle represents wholeness, infinity, and consciousness without beginning or end. Emerald-green in the center ~ is the transition point.
Similar to crop circle interpretation, this too is about transmitting frequencies through living codes.
The Philosopher’s Stone ~ the catalyst that is not a stone ~ is not material but consciousness itself.
The metamathematical reading sees the text as a structure similar to DNA: a double helix of external and internal truth.
The golden substance sought by the alchemists ~ is not gold, but the ability to activate an inner code ~ and live by high-frequency laws.
The deeper you go into the Tablet ~ the more you’ll see it’s not a text, but a reflection.
You are reading yourself.
The universe is a muscle, the heart is a portal ~ and the green Tablet remains open to those who remember.
To those who remember the movement of light within themselves, to those who live the inner blueprint like an open scroll.
Ancient symbols are not just drawings or engravings on stones ~ they are notebooks of hidden knowledge, passed down from generation to generation, developed as a language of frequencies, shapes, and movement. One of the fascinating examples is the egg-shaped stone, engraved with a double helix symbol reminiscent of the DNA structure ~ the symbol of life as science only discovered in the 20th century.
Is it possible that knowledge of the double helix structure was already known to ancient cultures thousands of years ago? Are this stone and its adjacent symbols evidence of that? The importance of the egg as a symbol is no coincidence ~ it represents not only the origin of life but also continuity, renewal, and a deep connection between body and consciousness.
It is worth noting that the discovery of DNA's double helix structure by Watson and Crick in 1953 marked a revolutionary moment in biology. However, archaeological evidence such as this egg-shaped stone suggests that ancient civilizations may have been aware of this fundamental blueprint of life long before modern science. Including direct citations or references to archaeological finds and scientific papers would further substantiate these claims and deepen the discussion.
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In Sumer, an ancient Mesopotamian culture, the role of the watchers ~ or Anunnaki ~ was to guard ancient knowledge, knowledge that was not only material but also deep energetic and frequency-based knowledge. The symbol on the stone is linked to them, according to whom knowledge is transmitted through symbols embodied in shapes representing energy and movement.
The egg in many cultures, from Mesopotamia, Egypt to the Maya, is considered the source of life, a symbol of fertility, continuous creation, and renewal. It stands as a metaphor for the creation of life and its continuity.
Additional archaeological findings show similar geometric symbols ~ the Flower of Life, spirals, repeating patterns ~ indicating broad and complex knowledge that existed and was transmitted across different planes of existence and consciousness.
To expand on the significance of the Anunnaki, these beings are often described in Mesopotamian mythology as divine figures or “watchers” who not only shaped humanity but were custodians of cosmic knowledge. Their role as guardians of secret wisdom implies a transmission of advanced understandings, including biological codes and energetic principles that may be encoded within symbols like the egg and the DNA double helix. This connection enriches the context of the symbol’s importance and situates it within a broader narrative of ancient knowledge preservation.
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The symbol engraved on the stone is a spiral structure, resembling a double helix, closely matching the structure of DNA discovered only in the 20th century. This is not accidental ~ sacred geometry, an ancient geometry coding knowledge about movement, flow, and energy, is essentially a code of information passed down through history.
Modern researchers who delved into this topic found that ancient knowledge is not only based on material structures but also on frequencies and energy waves ~ knowledge used in alternative medicine, energy healing, and holistic approaches.
Thus, this symbol reflects not only the physical molecular structure but also a consciousness of movement and flow, which Metamatica researches and emphasizes as the source of all life and creation.
Metamatica introduces a revolutionary perspective by framing these ancient symbols not just as static images but as dynamic expressions of energy, movement, and frequency. This philosophy bridges the gap between ancient symbolic knowledge and contemporary scientific understanding, offering new tools for interpreting the energetic and informational nature of life itself. Through Metamatica, we gain innovative methods to analyze how these shapes influence biological processes and consciousness.
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Metamatica, as a new approach to understanding life, sees the egg not just as a shape but as an energetic "portal" ~ a transitional space where energetic and conscious processes occur.
The egg is metaphorically connected in Metamatica to other geometric structures examined, such as the pyramid and the portal, and represents an abstract expression of the flow of life, frequencies, and internal movement.
This flow is described with rich metaphors and visual descriptions helping to understand how energy flows and intensifies within the internal space of the egg ~ just as the flow of frequencies and energy in the body creates life and movement.
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Recognizing that ancient knowledge is more than mythology ~ it is a foundation for new scientific understanding ~ allows us to bridge the scientific world with the spiritual world.
Modern healing approaches, such as Chinese medicine, Gua Sha, and Metamatica itself, are based on the understanding of the body as energetic consciousness, a flow of frequencies requiring balance and awareness.
These insights are not just practical health tools but open a path for personal development, energy preservation, and deepening our understanding of the connection between body, soul, and consciousness in the modern era.
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The ancient egg with the DNA double helix symbol is not just a testimony to the past but a bridge connecting ancient knowledge, deep symbolism, and groundbreaking scientific innovation.
Metamatica invites us to rediscover movement, frequency, and consciousness as essential parts of our lives and offers a fascinating journey between antiquity and the future ~ a journey leading to a profound understanding of life itself.
It is important to acknowledge that while these concepts are inspiring and promising, there remains skepticism in the broader scientific community regarding the extent of ancient knowledge on DNA and energetic healing. Metamatica addresses this by encouraging rigorous exploration, open dialogue, and evidence-based approaches to validate and expand these insights. This balance between openness and critical thinking strengthens the legitimacy and appeal of the field.
The continuity between ancient wisdom and modern science is evident in how principles long encoded in sacred geometry and symbolic forms are now being revisited and confirmed through contemporary research. Metamatica serves as a vital bridge, illuminating how the mysteries of the past inform the breakthroughs of today, and opening new pathways for holistic understanding of life, energy, and consciousness.
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Bastet, daughter of Ra, was not sent to impose order ∿ but to balance frequencies.
She was once a lioness, wild and destructive, known by her other name: Sekhmet.
But instead of perishing ∿ she chose to transform.
The lioness became a cat.
Fire became vibration.
And while figures like Ra and Thoth took the spotlight,
Bastet positioned herself at the margins ∿ precisely to guard the core.
And it was not just words:
Pharaohs were buried with dozens of mummified cats,
so they would awaken with them in the afterlife.
The cat did not accompany the king out of love ∿
but as a function: to preserve the frequency of life even after death.
This article does not deal with statues.
It deals with an ancient frequency mechanism ∿ still active in the human body.
Cats purr at frequencies between 20 and 150Hz Studies: strengthening bones, tissue repair, nervous system regulation Purring = a vibration that heals from within without touch Bastet as an internal frequency-neurological mechanism The cat’s reaction time is the fastest among mammals, standing at about 20 milliseconds, allowing it to detect and respond to changes in the field with exceptional speed and precision.
The cat does not "decide" to purr – it feels.
Purring comes out of it as a response to disruption or internal need.
It is not an act of emotion – but a mechanism that detects imbalance and begins to act.
Science may talk about frequencies that strengthen tissues, but the Egyptians already knew this long ago –
not through experiments, but through frequency observation.
And like Bastet, the purr is not sent to impress ∿ but to protect.
It is not meant to be called forth ∿ but to act when needed.
It emerges when the field trembles ∿ not when someone asks.
It is not just a physiological action ∿ it is consciousness that envelops you in a vibration that repairs what is broken.
The Egyptians did not call her to create ∿ they trusted her to guard.
Whether it was a pregnant woman, a newborn child, or a pharaoh resting in the depths of the tomb –
Bastet did not appear through ritual ∿ but through frequency.
And when she appeared, it was not with thunder or lightning –
but with a gentle vibration, a molecular frequency that tunes damaged fields
and balances what is broken ∿ much like a purr that comes when something is wrong.
She did not come to fight ∿ but to restore inner order.
And when we look back at hundreds of cats mummified beside pharaohs’ bodies,
we do not see a symbol ∿ we see a frequency replication.
Guarding DNA, for the Egyptians, was not a laboratory ∿
it was a presence – that understands when everything breaks ∿ and acts without being called.
You cannot call a cat.
Not really.
Not like a dog.
Not like a servant.
It comes only if it wants to.
And it loves – only if it sees something worthy in you.
The pharaohs, who were kings over all Egypt, lived in a world where everyone obeyed:
people, animals, servants, soldiers.
But the cat?
It did not obey.
It chose.
And when it came to sit beside you – it was not out of fear or obligation.
It was a gift of free frequency.
A moment where love is not given – but sent from the space.
The pharaohs loved cats – because they remembered in them the humanity that cannot be forced.
And when the moment of death came, and they had to choose who would awaken with them,
they chose not only a protective being –
but one that does not yield.
One that does not obey – but feels.
One that loved them only when it truly felt so.
The cat’s eye is built differently.
It is not a round eye of a regular mammal – but a narrow vertical slit,
a structure designed for precise frequency focus, almost like an advanced biological scanner.
Only three animals in the world share this eye structure:
the cat, the crocodile, and the snake – creatures of older kingdoms,
where the law was different, and pure power and uncompromising sharpness reigned.
The pharaohs did not see this as merely a physiological difference,
but a mysterious key, a frequency ability to scan the field of life,
a gateway to consciousness not controlled by the ordinary and the usual.
Thus, for them, the cat was much more than a pet –
it was an ancient guardian, the perfect predator with an eye that cuts between kingdoms,
and was worth taking with them into the afterlife.
The cat does not obey commands – it comes when something feels right to it.
This is not submission – but a frequency decision.
And while the pharaoh ruled every person and animal – the cat was the only one that did not obey.
Perhaps this was the reason their love moved them:
it was authentic.
And when the moment of truth came – it was the love they wished to take with them.
Bastet was not built from violence – but from a decision to change what was inside her.
Therefore, she was not placed as a queen on a throne –
but as a quiet presence within the field.
And when we look today at the purring cat,
lying beside us,
falling asleep –
maybe we do not understand,
that we are approaching – a frequency that heals from within.
Without touch.
Without command.
Without effort.
She is like a frequency that wears fur.
Not to rule, not to lead –
but to remind us:
that even when there are no words – it is possible to heal.
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